Jasmine IS the cornerstone of perfumery! A perfectly unisex note, present in an impressive percentage in so many perfumes, for so many years. It’s always been talked about among perfume lovers: Le Fleur, The Flower is always discussed.

A source of inspiration or a challenge to excel for many a perfumer,  used since forever in fragrances in so many different ways.

I have smelled many a different jasmine, in many a fragrance. And then, after a long time and all the finest (or less so) interpretations, I came upon one that made me stop right in my tracks: Fado Jasmim by Miguel Matos Perfumes.

What has jasmine to do with Fado? Everything.

“If we want things to stay as they are, things will have to change.”
― Giuseppe Tomasi di Lampedusa, The Leopard

Eresia. Heresy.

It has been with me for some time, this bottle of Eresia. I wore it, tested it, and planned to write about it sooner than this: I let the fragrance sink in my skin and listened to its fragrant language. And just as I was getting ready to sit down and write my review, an earthquake shook the cabinet with my collection proudly displayed, and one perfume bottle fell upon the others, broke, and leaked all over the bottom shelf. Eresia was drenched with another perfume, and it took me quite a while to clean the bottle, wash out the remains of perfume lingering in the red tassel threads, and try to rub out any leftover traces with Ethanol.

When I finally succeeded, the bottle looked slightly soiled, patinated, and battered: strange, but this seemed to befit the perfume well…adding it a touch of patina.